The Process of a Pattern: Working Through the Ugly

Art is a process. I try not to get discouraged or attached to the outcome, but sometimes it’s distressing when a painting is looking good, and I take it one step too far.

I was afraid I’d done just that when working on a lightning pattern. I had drawn the lightning shapes and painted them yellow, and then I added in a gray-blue background. The goal was to work fast because I was working on the pattern for #patternjanuary and the prompt for the day was “fast”. Once I had the background filled in, it felt a little flat to me, so I added some cloud shapes.

Lighting with Clouds

Uh oh. This is NOT what I was after. A little part of me was like, “well whatever, it doesn’t always have to be perfect.” Then another part of me chimed in, “what if you paint over it?” I wasn’t sure if it would work since it’s gouache which will re-wet, even on the paper, but I tried it. Happily, it worked! Not only did I paint over it, but because the gouache mixed on the paper, the background was actually better than that first flat layer.

Lightning Pattern

Look at all that foggy texture and dimension. I just love it!

This is such a great example of the unpredictable nature of the process of making art. There are times when everything goes perfectly from start to finish, there are times when the outcome is not so great, and then there are times when the going might be a little bumpy, but the outcome is a pleasant surprise.

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