Pattern a Day December

December was certainly a crazy month in a lot of ways. I was still in Alpine, Arizona, and took a mini vacation to Flagstaff and the Grand Canyon. Then I drove across the country back to Maryland, got home and got sick, and somehow managed to prepare for the holidays and celebrate them successfully! In the midst of all that, I created a pattern everyday.

I didn’t bother posting photos while I was staying in hotels with crummy lighting on my road trip home, but by working with simple tools–a watersoluble carbon block, a brush, and paper–I was able to stay creative every day, even after driving for 10 hours, or spending most of the day in bed with the chills.

Because of my choice of medium for the month, all my patterns were black, white, and/or grey. I know I already mentioned it in my December round up post of other artist’s patterns, but since I was only working with one “color,” I was especially glad that other people were making lots of vibrantly colorful patterns in December. Don’t get me wrong, I absolutely love black and white, especially in pattern form, but I also love a little variety!

One of the things that was most eye opening, especially when I considered the way I approached creating patterns in November, was how much the medium and color (or lack thereof) drives the way I create a pattern, and ultimately the imagery that I put down on paper.

In November many of my patterns had a lot of depth and complexity, while most of my December patterns tended to be more flat and graphic.

November/December pattern comparison

I don’t think either is necessarily better than other, it was just interesting to reflect on my processes over the past few months and recognize the difference!

At times I felt like some of the patterns I made weren’t my most creative, which is ok. This challenge was never about producing something ground breaking everyday, it is simply about creating everyday. I think as part of that, there will naturally be times when the work is excellent, while other times when it’s just so so. To me what is important is that I get in the habit of working with my hands everyday, as my natural tendency often leaves ideas stuck in my head for days or even weeks before I get around to getting them down on paper.

That said, there were definitely days I got excited about–especially the days where I tried out an idea that in my head I thought was a little odd or unattractive, but the results were sometimes quite striking.

Day 11 Pattern a Day December

Day 14 Pattern a Day December

Most of the patterns this month were abstract. Either focusing on form or the texture of the water soluble carbon.

Day 6 Pattern a Day December

Day 21 Pattern a Day December

I did manage to sneak in a few that were representational, and most of those were inspired by the season.

Day 9 Pattern a Day December

Day 22 Pattern a Day December

One of my favorites was the pattern I created on New Year’s Eve. Although abstract, it really captures the festive feeling of a New Year celebration.

Day 31 Pattern a Day December

I like to think of this as a good omen for the year ahead, which I hope to fill with even more patterns! I’m not necessarily intending to make this a year-long commitment, but you never know! Bit by bit, month by month, I might just get there!

See the rest of the patterns in my Pattern a Day December set on flickr, and check out the Pattern a Day group for more patterns and lots of inspiration.

Happy New Year!

Pattern a Day October

I know what you’re thinking: “Pattern a Day October? But it’s the end of November!” Well, my internet connection at the cabin is slow and limited, so I didn’t want to upload all the scans of my October patterns. I discovered that my laundromat actually has a decent connection, strong and speedy, so I brought my laptop with me last time, and uploaded a bunch of images while my clothes were washing and drying.

For October I worked with watercolor, and sometimes added details with gray ink that I filled a couple of my rapidograph pens with.

Before I started the month, I tried out my new mixed-media sketchbook with some colorful inks I had on hand.

Extra Pattern a Day October

I liked the different line quality I was getting with wet media, but I didn’t want to limit my color palette this month with the few colors of ink I had. I decided to use watercolor for all the color possibilities it would give me.

I completed the first few patterns while I was still in Maryland.

Day 2 Pattern a Day October

Day 7 Pattern a Day October

I left Maryland for Arizona on October 10th, so I created several patterns while I was on the road! I used a small travel watercolor set, so I had fewer colors to work with, but I still came up with some interesting combinations.

Day 12 Pattern a Day October

Day 13 Pattern a Day October

When I finally made it to Arizona, the daily pattern making continued.

Day 16 Pattern a Day October

Day 26 Pattern a Day October

Throughout the month, there were some days where I wasn’t 100% happy with a pattern I created, so I wanted to redo it, or I just wanted to keep painting, so I did! I ended up with quite a few “extra” patterns and paintings. Some were rather experimental or rough, and the explorations were a lot of fun.

Extra Pattern a Day October

Extra Pattern a Day October

You can see many more daily patterns and all the extras on flickr.

At the moment I’m nearing the end of another month of daily patterns, and although December will be full of travel and holidays, I’m planning to keep going for at least another month! Feel free to join me and make a pattern everyday (or so). Tag your photos on instagram and/or twitter: #letsmakepatterns and #patternadaydec

Yay patterns!

Painting Experiments

This month I’ve been creating a doodle a day along with several other artists on Instagram (#doodleadayaug). I wasn’t intending to have a theme when I started, but after the first few days, I realized I kept drawing flowers. They are one of my favorite things to draw, so it’s been a fun month!

One doodle in particular inspired me to take the subject a little further.

initial sketches

I enjoyed the sketchy line quality, but felt it could be improved upon with some added color. An idea formulated in my head to do a loose underpainting of color with gouache and then add the sketchy line work on top of it with an acrylic paint marker.

The first step was to print out a quick copy of the original sketch, and transfer each drawing to watercolor paper using graphite transfer paper.

Transferring sketches with graphite paper

I really love the way these taped down sketches look, so I had to share!

Once the doodles were transferred, I painted each one using various colors of gouache. I liked the paintings at this stage, but I felt they were missing something. At this point, I was wondering if the intense black outlines would be “too much,” but I still wanted to go ahead and try out my original idea, just to see what the result would be. One of the thoughts I like to keep in mind when I make art is to not be afraid of “ruining” a painting or drawing by trying something new. True, sometimes ideas don’t translate well, but I figure that if I’ve done something I like once, I can always make it again if I mess up!

all flower paintings, side by side

After seeing the side by side comparison of all the paintings before and after the addition of the black outlines, I’m on the fence about which I like better. I still think that at least some of the paintings without the outlines are missing something, but maybe the black lines are too overpowering?

Taken on their own, I don’t mind most of the outlined versions, but I also wonder if they read as paintings, or just as colored-in drawings. If that’s the case, I could probably achieve this look in a much faster way, maybe using marker or colored pencil instead of paint.

Now that I’ve tried out my idea but am not 100% satisfied with it, I’m planning to redo the paintings to see if I can come up with a result that I really feel is “it”. Instead of outlining with black, I’ll work on adding depth and maybe outlines with more layers/colors of paint. So the experiment will continue!

Do you have a favorite of the above paintings? Do you think the outline works better for one painting more than another? I’d love to hear what you think!

Artomatic: Paintings and Installation

I finished up the last of the 10 paintings I created for Artomatic on Friday night. Saturday I got ready to head down to the site to install them.

My mom offered to help me on Saturday so before we headed down to Artomatic, I put her to work adding wires to the back of all the canvases for me. She had a whole system for measuring the wires so that they would hopefully all be even when hung on the wall, and in the end it worked out great. I think we only had to adjust one or two canvases during the installation, and I know at least one of those was because I nailed the hook in a little too low. Oops!

While I was still at home I prepared the materials I’d need to add my name to my wall above my paintings–I tiled & printed out my name full size, cut up the pages, lined up the edges, and taped graphite paper to the back.

sign

When I got to my Artomatic wall, I taped the prepped sign to the spot where I wanted my name and then traced over the basic shapes of the letters with a pencil. I used the black wide tipped Montana Acrylic Marker to go over the resulting graphite lines in a loose and rough style to create a hand drawn look that harmonizes with the paintings beneath it.

hand painted name

When I painted my wall a few weeks ago, I discovered that it was concrete. I’m glad I found out before I went down to hang my paintings because after doing some research I realized I couldn’t just hammer a nail in and call it a day. I found out about some complicated ways to hang art on concrete walls that involve drills and bits and diamond tips. Then I came across a product called hardwall picture hangers. They are a little odd looking–a plastic hook with four metal prongs sticking out towards the front–but they really work! If you ever find that you need to hang art on concrete, cinder block or brick walls, I HIGHLY recommend using these. The ones I got with the 4 prongs hold up to 25lbs! You just hammer them in and hang your art. As simple as that.

Here’s an action shot of my mom helping as we arranged and rearranged the paintings til we found the right balance:
hanging the paintings

About 4 hours after we got there, we had all the art in place!

my artomatic wall

I am so happy with how it turned out. The white and black paintings look great on the bright coral wall, and the overall presentation makes quite an impact.

I posted details about the process of making each painting in my last post, but I wanted to share closeups of the final versions here as well.

Painting 9
This one is actually hung sideways from how I initially intended it (the original top of the painting is now the left side), but since it hangs in the top left corner, the motion of the pods in this orientation does a good job of leading the eye down to the painting below, so it was a happy accident!

Painting 6
Notice the texture in the different layers? I particularly love the way it looks on the black layer–so shiny and luminous.

Painting 8

Painting 2

Painting 7

Painting 5

Painting 1

Painting 3

Painting 4

Painting 10

There you have it! 10 paintings are up at Artomatic, ready and waiting for opening night this Friday May 18th. I hope you can make it, but if you can’t, I hope you enjoyed this little glimpse of my Artomatic wall. Thanks for reading!

Artomatic: Paintings in Progress

I have a dedicated studio space on the main floor of my house, but it’s not really set up for painting large canvases, so I cleared out a nook in the basement that would accomodate the larger scale artwork, plus space for a comfy dachshund bed.

Otto and Kasi

That was my view during most of the 1.5 weeks that I spent painting up a storm in the basement. Well, truthfully, Otto was my most faithful companion, hanging out with me until the wee small hours, but Kasi also joined us quite a bit.

As I mentioned before, I painted 10 canvases for Artomatic. They all measured 30x30in square, and I painted them all with black and/or gray on a white background.

Although the painting all took place over the course of a week and a half or so, I spent a lot more time than that sketching and figuring out my game plan. The average painting size I worked on before tackling these big ones was about 6x6in. Sometimes a little bigger, sometimes a little smaller, but for the most part I stuck with painting in the way I was comfortable: with a teeny tiny paintbrush on small bits of paper.

I started out by testing out larger paint brushes on paper.

sketches with paintbrushes

I quickly discovered that this wasn’t going to be as easy as I thought. The brushes I had were all too floppy, or too stiff. I needed something that was specifically made for the way I would paint. My friend Krissy suggested I look into Liquitex Freestyle brushes. I did some research and watched some demos, and they seemed like they would be perfect; or at least give me a fighting chance. I went to the art store and carefully selected a variety of shapes and sizes I thought I would use. While I was checking out, I casually looked at the display they had under their glass counter. As they scanned my items, swiped my card, and I signed my name, my wheels slowly started turning.

What was I looking at? Paint markers. After a closer look I noticed they were acrylic paint markers, made by Montana–a company I recognized as making high quality acrylic spray paint. After paying for my paintbrushes, I asked if I could see one of the markers. Maybe a black one and a white one would come in handy for touch ups. Then I noticed they had some thicker tipped markers as well–and they even had a couple of gray markers! It didn’t take long for me to decide to go ahead and buy a few to try out. I just had this intuitive feeling like they would really come in handy.

montana paint markers

It’s an understatement to say that I was glad that I got them. These markers are probably one of the best things I’ve ever bought. They are so much better than any other paint marker I’ve tried before. The paint is water based, runs really smooth, and most of the markers are refillable. In fact, even the ones that aren’t technically refillable can be converted to refillable with a drill and some duct tape!

I tried them out on some of the sketches I’d started with a paint brush and was blown away by the accuracy that was immediately available to me. What a difference! This was just what I needed to pull off my vision for Artomatic! Truly a godsend.

A part of me deep down felt a little sheepish to realize that I would be creating all my paintings without a paint brush. Is it cheating to use paint markers? Could I still call them paintings? Could I still call my self an artist? Before I snowballed too far down that path of self doubt, I pulled myself together and thought, “whatever works!”

Today I am 100% proud to admit that all the following paintings were created entirely with Montana acrylic markers. They are a fantastic product. I like to think of it as painting with a felt brush. You can get such a precise edge, as well as more painterly effects. While I’d still like to practice and get more proficient with brushes, I have a feeling these markers will always be part of my repertoire.

For my paintings I used their pre-mixed Shock Black, White Pure, Gravel, and Iron Curtain, and mixed one custom lighter shade of gray myself.

I didn’t pause to take any in progress shots of the first painting I created. I was so “in the zone” I just worked until it was done!

Painting 1 finished

With no time to pause too long to admire my work, I started on the next one, drawing in all the black lines.

painting 2 in progress & finished

I actually let the above painting sit overnight as I contemplated what to do for the background. Eventually I chose to add texture with the lightest gray shade, over only part of the background.

The next painting was the first one where I worked in specific layers, one color at a time from lightest to darkest. I’ve done similar drawings like this before, and usually I work from top to bottom, drawing the shortest swooping lines first, then adding the longer scallops as I continue. Since the paint is opaque, I had to work backwards.

painting 3 in progress & finished

The next painting was somewhat ambitious, but I loved the sketch I did so much, I had to go for it and see if I could make it work.

painting 4, try 1

Indeed, my first attempt ended in disaster. It was such an odd thing that happened. I was in the middle of painting the black outlines when I happened to notice that the cap on my wide tipped dark gray marker was not closed all the way. I was afraid it would have dried out, so I grabbed it and pulled the cap off. Far from being dried out, paint had actually collected in the cap, and when I yanked it off, I flung that paint right onto my canvas. I then panicked and grabbed some paper towels and tried to wipe off the paint. This not only smeared the drips, but also some of the lines I had drawn. In a last attempt to salvage part of the painting, I tried to gesso over just the section that got splattered, but I hadn’t let the black outlines dry long enough, so the gesso smeared it, turning that whole section a dark muddy gray. Live a learn: when you accidentally fling paint on your canvas remember to dab, don’t wipe! Also, when you open a paint marker, be sure to hold it well away from the surface you are working on.

I felt a little disheartened, so I put that particular design aside for a day and worked on the next painting. I did come back to it the following day, and the second time was the charm. I steadily worked on the black outlines, then carefully filled in some of the sections with dark gray.

painting 4, try 2

The next painting is a little different from all the others. I started by blocking in big areas on the canvas, using the two lighter shades of gray. I used the wide tipped markers for each of these large areas which helped create a really nice background tone and texture for the detail lines I added later using the fine tipped dark gray marker.

painting 5 in progress & finished

Next up was another layered painting, which actually took quite a while to complete because not only did I have to wait for each color to dry, I actually did two layers for each color–one layer was a basic all over background coat, and when that was dry, I came back with the same color and added a texture overtop to suggest that the shapes are either feathers or leaves. I think you can see that texture best in the bottom right photo below, especially in the middle-gray tone.

painting 6 in progress

For most of the paintings, I worked out the sketch in my sketchbook first, then projected that image onto the canvas and traced over the lines with a watercolor pencil to make sure I got the proportions right. For the next painting, I worked in a much more spontaneous way. True, I had an initial “sketch,” as you can see in the upper left corner in the image below, but I didn’t trace the shape of the lines onto the canvas. Instead, using the sketch as a reference, I worked freehand, painting in the lines directly onto the canvas. Once I’d gotten the initial six curved lines in place, it was just a matter of waiting for the paint to dry so I could thicken the lines until they felt right. I had to do this about 5 or 6 times–thickening the lines, then letting it dry before filling it out more–because if I tried to go over wet lines with wet paint, it would scrape some of the paint away and start to clump up. Patience was key with this painting, and in the end, I think it really paid off. It’s definitely the boldest of the bunch, and also the only one that uses black exclusively.

painting 7 in progress & finished

Painting #8 was up next, and I knew I wanted to do something in this style all along. Drawing a grid on a canvas that is not perfectly square is quite a challenge though, so it was a while before I worked out a grid that looked even which then provided the framework for this design. Once I got the grid set up, the painting went pretty smoothly, although I admit it took a long time. There are lots and lots of lines on that canvas!

painting 8 in progress & finished

By the time I was almost done I was eager to get the paintings finished up, so I didn’t take as many photos in progress photos, starting with painting number 9 (pictured below on the left). This particular painting came together rather quickly. I did transfer a sketch to get it started, but when I began drawing the lines, it took on a life of its own. The line work is a lot looser than I intended. In fact, when I first finished it, I wasn’t 100% sure I even liked it all that much, but it grows on me more and more every time I see it. It definitely adds a light and energetic element to the group of paintings. The last painting I did is not quite finished in the image below (right), but again, I think we’re lucky I took even one in progress photo!

paintings 9 & 10 finished

Throughout my painting process, I had this sketchbook page open and nearby at all times:

deciding what to paint

I had quite a few ideas for what to paint, but for most of the paintings, I made the decision when it was time to start a new canvas. The page above shows some of the many (30+) thumbnails I had for potential paintings, and various deciding marks as I considered some paintings and ruled out others. There are a few ideas that I thought for sure would make it onto a canvas that didn’t make the cut, and also a couple that I didn’t initially consider that did earn a spot in this group of Artomatic paintings.

While I worked on paintings, the area next to my easel was always cluttered with pencils, markers, paper towels, sketches, tape, paint, and more.

creative mess

Somehow, even with a creative mess around me, and a few setbacks here and there, I managed to keep on track and finish all 10 paintings in time to get them installed for Artomatic.

In fact, here’s a little sneak peek of my paintings on the wall.

view of my art through the doorway

You can see my space through a doorway off one of the main areas on the 1st floor. All the walls in that main space are covered with either art or graffiti murals, but I think my display has a good chance of catching people’s attention, don’t you think?

I will be posting, probably tomorrow, with images of the final wall. I even took some non-instagram photos, so you can get a good idea of what the space actually looks like without weird filters distorting it.

If you made it this far, thanks for reading this exceptionally long post! Do you have a favorite painting of the 10 created?

Artomatic: A Bright Coral Wall

When I signed up for Artomatic, I had no idea what I would actually present there. I wanted to wait to see what my space would be like before making any major plans, since I knew it could be anything from a 6′ to 20’+ space.

As I mentioned in my previous post, I got an awesome 17′ wide 9′ high wall. After contemplating a few ideas, I settled on one: 10 big paintings, all black and white, on an incredibly brightly colored wall. I considered both red-violet and pinkish-orange, but the pinkish-oranges on the paint samples at the hardware store were brighter, so I chose the brightest called “Lipstick” by Behr.

The wall itself was in pretty good shape, with only a few holes, but there was a cable conduit that I wanted to remove. Unfortunately when I did so, it took big chunks of the wall with it.

white wall

This actually turned out to be a blessing in disguise, because I hadn’t realized that the walls were concrete before then. I would have showed up with nails to hang my paintings, and I would have been disappointed.

I went ahead and taped off the side and bottom edges. Then I hopped on my little footstool and reached up to the ceiling. That’s when I realized I wasn’t going to be able to tape the top edge of the wall! I’m pretty tall (about 5’10”), but my fingertips just brushed the ceiling when I stretched. I didn’t have the accuracy I’d need to tape off the edge properly, so I grumbled a bit as I realized I’d have to come back another day.

Not to be slowed down, I went ahead and painted what I could.

I started like a normal person, painting in the edges with a brush.

starting to paint

Then I had the bright idea that some of the cracks and holes could probably use an extra coat, which would be best done first, so I did that.

more paint

giving the cracks and blemishes and extra coat

I thought the idea was sound, but after I was finished, I talked to a couple of artists who were hanging their work across the way from me and they wondered what my strategy was in painting all over the place with no apparent pattern. At one point they thought I was perhaps painting a mural! Haha. Maybe I was also trying to break up the monotony of painting edges?

getting there

Yeah, looking at my progress, I kind of see why they were wondering what my mural would be about. In any case, I kept diligently working, making progress on the edges and the cracks and holes. Then something wonderful happened. A guy came along who was a great deal taller than me. We got to talking and he offered to tape my ceiling line for me! Yay!

someone taped my ceiling for me!

Thanks to him, I would be able to finish the wall in one day! Indeed, eventually I was almost done!

almost there!

And then I was pretty much totally done!

yay! pretty much done. now to clean up.

Just had to clean up!

When I was finished and had cleaned up the space, I was so proud of my hard work, I decided to take a self portrait with my brand new brightly painted wall. First, of course, I had to set the self-timer.

checking auto timer

Then I actually set the self timer, and I took a super cheesy photo of myself doing jazz hands while wearing my painting pajamas.

me in front of my painted wall!

Although sweaty, tired, sore, and a little dehydrated, I felt very accomplished. At this point I had about 1.5 weeks to start and finish 10 paintings and get them up on my awesome, bright wall. No problem!

Artomatic

I’ve been tweeting up a storm about it, but I haven’t had a chance to write a proper post before now. I’m finally participating in Artomatic!

For those of you who don’t know, Artomatic is a huge art festival in DC that is all volunteer run. It’s open for anyone who wants to participate. There is always a huge variety of visual art, plus live performances, films, workshops, tours, and more! This year it’s running from May 18 – June 23rd. That’s over a month of arty goodness!

I had wanted to participate in 2009, but an opportunity to travel to Saipan got in the way. I had the intention of participating in 2010, but alas, it was not to be. 2012 is the first year since 2009 that the event is actually happening, and I knew I didn’t want to miss it!

I registered as soon as I could, and went to orientation and site-selection just a week later.

After I chose my space, I snapped a few photos of my wall with my iphone. Not the best quality, but it gives you an idea of the space.

left side of my Artomatic wall
left side of my wall

right side of my Artomatic wall
right side of my wall

wall-3
view from my room out into the main open room on the 1st floor

wall-4
view from the main open room on the 1st floor into my room. my wall is the one dead ahead!

I had initially chosen an entirely different space–a little room to have all to myself, and I thought it was exactly what I wanted. I planned to make a little lounge. Bring in chairs and a coffee table so I could hang out and sketch and have visitors to my little space. Then I went to the check-out room, and the wall that is now my wall was right there and still available, calling my name. There was a flurry of excitement and activity to get it switched, but luckily my friend Krissy (who is also participating in Artomatic and had selected her space earlier in the day) was along for moral support. She fended off claim jumpers while I dealt with the space switch.

Today I’m heading down to Artomatic to paint my wall an orangey-pink color called “Lipstick” according to the Behr paint name.

The paint color for my wall at Artomatic is called "Lipstick"

I’m hoping it won’t be too obnoxious, but instead that it’ll liven up the space and help my black, white, and gray paintings stand out.

This is such a cool opportunity to do something completely new, and I’m definitely taking the challenge to heart. I’m painting bigger than I ever have before. I’ll be creating 10 – 30x30in paintings. I did go a little easy on myself, deciding to limit the color palette to black, white and gray. Also in the interest of finishing the paintings in time, I’m reusing many designs that I’ve created in the past. There will be a variety of styles, but I’m thinking that the similar color palette and canvas size will unify the collection.

I’m planning to post updates on this blog about my Artomatic journey, so stay tuned. Also, follow along on twitter where I’ll be posting photos and updates more regularly!

Creative Oops

Last week on twitter, I saw a tweet asking for artists to participate in Joanne Hawker’s Creative Insight column on her blog, Origami Chicken.

Not considering that I would qualify to participate, I re-tweeted the request in the hopes that a talented artist out in twitter land might be interested in participating. Then Joanne asked me if I’d like to do it!

Of course I said yes.

I set aside a few hours one afternoon to make the painting and take the step-by-step shots I would need. I was very organized about it.

I first took photos of my studio to share, then of the supplies I would need, then the paper and how I draw my guide lines. You can see those intro photos in my Creative Insight post on Joanne’s blog. What you won’t see on that post are the following images.

Continuing the process, I snapped shots of my paint selection and how I mix paint and test out the color on paper:
selected colors

mixing

Next I paused to photograph the very first lines that make up the starting shape of the geometric painting.

first lines

Then I applied my first wash to fill in some of the shapes, and the clouds gathered, the wind started to blow, and disaster struck:

ugh

Ok, perhaps I’m over dramatizing a bit. It doesn’t look too bad I guess.

Be that as it may, the paint didn’t do what it was supposed to do. Instead of mostly sitting on top of the paper, or absorbing the paint in the beautiful way watercolor paper absorbs, the paper sucked up the paint and distributed it just under the surface in the not so beautiful way that only drawing paper can. It created a gritty, grainy texture while threatening to wrinkle and warp the paper beyond hope.

Sigh.

Yes, I had mistaken drawing paper for watercolor paper, and I knew I could not continue.

Well, at least not for the post I wanted to write.

But I did continue, taking the opportunity to just keep working on it without expectation. In a way, this was a very freeing mistake because at this point it didn’t matter what I did! To keep it loose, I used the same green paint I already had, focusing more on filling in the space with shapes.

gouache

Even before I was finished painting, I knew I would add detail lines not only with paint, but also with pencil.

gouache and pencil

It didn’t take long to complete this painting once I got over the initial disappointment of choosing the wrong paper. In the end, it was a happy mistake, not only for letting me explore something new, but also to loosen me up for the next painting I created–the one that I did use for the Creative Insight post.

How do you deal with creative “mistakes”? Do they ever derail you, or do you embrace them and incorporate them in unexpected ways?

It’s been far too long since I wrote about my process on my blog, which is always one of my favorite topics to cover. Perhaps you can imagine how much fun I had writing up a process post for Joanne’s column.

Here’s a little sneak peek of the painting I created after the “mistake” painting was finished:

Painting for Creative Insight

Head on over to the Origami Chicken blog to read the details, and also be sure to check out the other wonderful artists and illustrators who have previously written Creative Insight posts!

Misfit Paintings

In my last post, I wrote about some recent paintings I’ve finished in tones of gray. I had a couple of other paintings to share, but they didn’t seem to fit with the last group, so they get their very own post!

In an attempt to re-create a couple of drawings I did in the sketchbooks that Jessica Gowling and I are collaborating on, I painted a composition of little groups of colorful lines, arranged on an imperfect grid.

tapestry

I wasn’t as satisfied with the results of this. I suppose it’s an ok painting in it’s own right, but I don’t feel the same spirit from this painting that I did from those initial drawings. Maybe my expectations were too specific? I still want to pursue this style; hopefully I can figure it out!

The other painting in this misfits post is the first one that started this recent round of paintings.

connected

This was my first attempt to recreate the stone painting from Day 11 in my birthday giveaway. I started painting the shapes of the stones without the help of an underlying sketch. I had wanted to create a horizontal bar of stones across the square paper, but because I hadn’t planned it out, I had a hard time getting the formation I was after. I decided to fill in the entire paper with stones.

I set this aside after the initial gray stones were in place, intent of finishing the two paintings on my to do list. In the end, I had some left over light turquoise paint that I decided to use to embellish this painting. Instead of creating the same pattern of lines overlapping each other on the surface of the stones, I decided to try something a little different: connecting the stone shapes with groups of three lines. I really like this color combination, but I don’t think the painting is quite done at this stage. Keep an eye out for and update!

Wonderfully Gray

I’ve been working on a few paintings over the last couple of weeks. They are all small works in gouache on paper.

I started painting again recently to fulfill a couple of requests I’ve had lingering since my birthday giveaway in June. Hard to believe almost half a year has gone by since then! Both were for the stone painting from Day 11. I’ve been making an effort to check things off my to-do list, and this was a fun task to tackle.

stones

I mixed up a lovely gray color for the stone shapes. In fact, I mixed up a LOT of lovely gray paint, so I had a lot left over. Gray is one of my favorite colors, and I felt sad at the thought of the extra going to waste, so instead of continuing with the stone paintings right away, I decided to make a few other “impromptu” paintings to use up some more of the paint.

round

edges

I didn’t plan either of these out. I started by adding lines at the corners and working my way into the center. They developed in a really natural, instinctive way, which is one of my favorite ways to create. With some of the styles of drawings and paintings that I do, initial planning can be really helpful, but there’s something very satisfying about getting my brush wet with paint and just going for it.

I’m really pleased with these paintings. I find them both soothing and powerful and the same time. And also wonderfully gray!

After a few days had passed, the gray paintings were still on my mind, so I decided to sit down and paint in the same manner and see what I could come up with.

four

I painted a similar radial-style composition. This time I worked from the center out toward the edges, which yielded a slightly more off-center final look. When I was finished and compared this piece with the first two, I was surprised by how different it looked. While they are all still very similar in most ways, I find that the 3rd piece overall has a more refined look, and the brush strokes are more regular. The difference could have resulted from painting from the center to the edges instead of the edges to the center, but it’s still somewhat curious. Maybe I was just in a different mood?

For the last painting I also worked from the center toward the edges, but abandoned the radial composition.

square

I started out with a zig-zag pattern in mind, but it quickly devolved to a less structured texture. The dark gray box in the middle only exists to cover up an area that really bothered me. Because of the way I painted the lines in that section, there was a rounded shape within the pattern, and for some reason it really bugged me! I tried to “fix” it, but before I knew it, I was smushing paint all over that area, and finally painting in the rectangular form. Can you sense my frustration with this piece?

I honestly didn’t think this last painting was going to see the light of day anywhere on the internet, but after setting it aside and looking at it a few days later, something about the painting intrigued me. It’s definitely grown on me, and I really like the texture-pattern area toward the bottom. That was the last section that I filled in, and I think it has potential. It’s irregular and regular at the same time, and I can definitely see doing a larger piece in that style.

What do you think of these paintings? Do you love gray as much as I do, or is there another color you’d be sadder to see dry up, unused on the palette?